Get In the Car, Loser
I'm Katie with a K. Catherine with a C.
I'm a writer and personal trainer and I live in New York City.

Enter your email address to subscribe to my health & fitness site, Hungry-Runner.com:

Delivered by FeedBurner

Ask me anything
Hungry Runner
I Write
~Serious Biz
Tweets
Tunes
Who Am I?
Instagram
Archive
RSS feed
Theme by Stijn
June 7th
8:09 PM EST

Music Talk Tuesday:  Old Fart Dad Picks

OFD Picks will be a part of the Music Talk Tuesday series where my Dad will tell you what to listen to. You’re welcome.

Earlier this week Old Fart Dad heard “Two Against One" by Danger Mouse and Daniel Luppi. The track is off of their album Rome and it features Jack White and Norah Jones. Old Fart Dad said to me, “I want you to check out this song that I heard on the radio. Oh man. I can’t remember the name of it but it’s by… Jack White, I think his name was. Have you heard of him?”

Hmmm, I might have heard of him. I think he might have worked on a couple of small music projects over the past few years. I’d just have to check up on that though…

Joking! Joking! O.K. so maybe Old Fart Dad is not completely up to date on the past 15 or so years of relatively popular music, but that’s why this will be fun! And at least now he knows who Jack White is. Anyway, he nailed it with this one, so just press play already.

11:04 AM EST
Music Talk Tuesday
I’m cracking open the 1001 Albums You Must Hear Before You Die book that I started exploring on The Most Music and bringing it on over this way, since my plan is to turn this blog into a one stop shop for all of my creative projects. (AKA: The Most Music and all that it is will still exist in spirit, just in the form of Music Talk Tuesdays here!)
I’m starting in the 1960’s! This Tuesday, the album that you must hear before you die is Joan Baez’s self-titled debut album.
Bit of Background: The album was released in 1960 and according to 1001 Albums “it is still one of the highest selling solo female folk albums of all time.” Since, Baez has released 17 albums and in the history books she has been crowned as “Queen of Folk Music” alongside the “King,” Bob Dylan.
I loved: 
01. Silver Dagger
04. All My Trials
10. Mary Hamilton
Must you hear it before you die?: I’m partial to folk music, so this could be a tiny bit biased, but I still say yes. It can be hyperbolic to describe someone’s voice as angelic. Yet the word is used to describe Baez’s voice time and time again and there really couldn’t be a more accurate word. So if only for that, I would say at least check out one or two tracks. What really sold it for me though, is the lyrics and the storytelling element. With each song she brings a story to life and you can feel that she means every heartfelt word she sings. So yes, before you die, hear this album!

Music Talk Tuesday

I’m cracking open the 1001 Albums You Must Hear Before You Die book that I started exploring on The Most Music and bringing it on over this way, since my plan is to turn this blog into a one stop shop for all of my creative projects. (AKA: The Most Music and all that it is will still exist in spirit, just in the form of Music Talk Tuesdays here!)

I’m starting in the 1960’s! This Tuesday, the album that you must hear before you die is Joan Baez’s self-titled debut album.

Bit of Background: The album was released in 1960 and according to 1001 Albums “it is still one of the highest selling solo female folk albums of all time.” Since, Baez has released 17 albums and in the history books she has been crowned as “Queen of Folk Music” alongside the “King,” Bob Dylan.

I loved:

01. Silver Dagger

04. All My Trials

10. Mary Hamilton

Must you hear it before you die?: I’m partial to folk music, so this could be a tiny bit biased, but I still say yes. It can be hyperbolic to describe someone’s voice as angelic. Yet the word is used to describe Baez’s voice time and time again and there really couldn’t be a more accurate word. So if only for that, I would say at least check out one or two tracks. What really sold it for me though, is the lyrics and the storytelling element. With each song she brings a story to life and you can feel that she means every heartfelt word she sings. So yes, before you die, hear this album!

November 17th
8:56 AM EST

Mumford & Sons’ final U.S. Tour show @ Terminal 5

themostmusic:

If you think you’re in love with Mumford & Sons and if you listen to Sigh No More on repeat quite often(or maybe even just sometimes), then please take this one piece of advice and see them live the next chance you get. Your affection will grow tenfold. (And if you have not listened to them yet, what on earth are you waiting for?!) 

Their sold out show at Terminal 5 in New York last night, which was the final show of their U.S. tour, was wild. The entire crowd was literally pounding the floor and walls begging for more by the end. 

Aside from the fact that they sounded quite amazing, the next best part of the show was that it was so easy to tell, from the look on each of their faces, how humbled they were. They gave so much love to their fans. And the packed crowd was not hesitant in the least to show just as much, if not more, love right back.

They opened the show with “Sigh No More” and ended it on a very high note with “The Cave,” playing all of the songs from their album, along with a few new ones, in between.

Mumford & Sons welcomed the opening acts, King Charles and Cadillac Sky, back to the stage for a proper farewell to the tour from all of its participants, which was just about the cutest thing ever. It was quite obvious that all the dudes are total best friends forever. 

The Mumford crew said that now that the U.S. tour has come to a close , the band will be headed back into the studio to record their next album fairly soon and that once it’s finished they’re looking forward to getting back out on the road. 

Can’t wait to see what they do next! It’s gonna be gooooood. 

[photo credit]

(Source: themostmusic)

November 15th
8:17 PM EST

TMM Feature: Guitars

themostmusic:

[photo credit]

Kenric McDowell and Shanna Hill-McDowell are not only husband and wife but also each make up one half of the psychedelic country-folk band Guitars. The fact that they’ve ultimately ended up making music together is just one part of their unique and spontaneous story.

“We had been wanting to do something but what we did was more like performance art and it slowly developed into a more musical structure,” said Kenric.

The duo traveled to the jungles of Peru to work with a Shaman and decided to tie the knot upon their return to Brooklyn. Shortly after, they moved to a more rural landscape in upstate New York, where they wrote and recorded their first full-length album, “Soundtrack to Your Future Nostalgia.”

“We were like, ‘Let’s leave and go to the mountains!’ That’s when we recorded the record,” said Shanna.

Their name, Guitars came about as a sort of joke, while the two were making fun of a burger restaurant with the overly literal name, “Burger.”

“We were talking about this burger joint that’s called “Burger…” said Kenric.

“And it was so obvious. So we were like, ‘Oh, what if there was a band called Guitars?’ and that’s what happened,” Shanna said, finishing Kenric’s sentence.

The two say that artists like, Daniel Johnston and the Silver Jews, who they consider “intimate” and “honest” are among some of their biggest inspirations.

“I think artists that also think of themselves as writers are big inspirations for us; like David Berman is a good example because he also published poetry,” said Kenric.

They also site some older artists like Fleetwood Mac, Patti Smith, Willie Nelson, Neil Young, and Nina Simone as some of their favorites. 

As far as live performances go, the band toured around the U.S. over the summer and during most of last year. Recently, they have been involved in a music project called The Sonic Medicine Wheel Ceremony Show, which is a series of performances by various artists in Bushwick, Brooklyn that take place at astrologically significant times.

“Beyond the fact that they’re friends of ours, we really like the music alot. It’s become a community for us and we sort of share the music that we’re making with each other,” said Kenric.

The duo’s future plans involve the release of a new EP in January and an upcoming live performance as a part of the Sonic Medicine Wheel Ceremony Show on December 21, at the Numu Loft in Bushwick.

“Because it’s the Winter Solstice and a full moon, we’re putting together a big show,” said Shanna.

For more from guitars visit their Tumblr blog, Myspace page and Soundcloud profile.

Buy Soundtrack to Your Future Nostagia 

(Source: themostmusic)

November 3rd
7:04 PM EST

TMM Feature: Cosa Nostra

themostmusic:

With a music scene that always has something interesting to offer, Long Island, New York is home to plenty of well-loved bands and musicians and up and coming, local band Cosa Nostra have been playing their way across the island making their mark as a part of the current scene.

Despite dealing with a few minor lineup changes along the way, the five piece alternative pop-rock band has been playing together for about four years now and they have no intentions of slowing down anytime soon.

Now with a steady lineup, Cosa Nostra recently completed their first full-length album titled “What You Believe In,” which will be released in the very near future. The band had the opportunity to work with noted industry professionals who have previously worked with some of the bands and artists that the guys of Cosa Nostra cite as inspiration.

 “We’re lucky to work with a bunch of fun people who are really passionate about making music and recording music and who have given us tips and given us advice on how to better ourselves,” said guitarist and vocalist Sean Murphy.

The band has certainly come a long way, with the album having been a work in progress for about two years. The guys say they’ve learned a lot and that the collaborations have helped them to grow as musicians and as a band.

“We’re really starting to figure out what sounds best and what people want to hear and what makes a song sound good because it’s a song and not because there’s a lot of stuff in it,” said keyboardist and vocalist JJ Hoeffner.

In addition to wrapping up the finishing touches on their album, Cosa Nostra recently played a show at Long Island’s Karma with bands Just Surrender and Thieves and Villains. The band’s next step forward includes a show where they will share the stage with The Ataris.

“We’re really looking forward to playing with The Ataris. We all listened to them in high school and they are a band that we all like,” said drummer Derek Santo.

The November 7th show is also at Karma in Patchogue, New York, a stage that the guys of Cosa Nostra are well acclimated to.

With high hopes, a positive outlook, and a busy schedule ahead the band is excited to keep moving onward and upward as they continue to make a name for themselves.

“We really want to get our name out there, tour, and try to take Cosa Nostra to the next level, which is from being a local band to being a national or regional band,” said JJ. “But it’s a work in progress right now. It’s something we’re working for.”

Aside from writing, recording, and playing live shows the guys are also working hard to connect with fans through social networking.

“We want to make sure that we’re always being looked at by people who are into our band and into our music so they can always be up to date, and come out to shows, and buy shirts, and support us, and really help us do what we wanna do, which is get out there and play.”

Check out Cosa Nostra on Myspace, Facebook, and Twitter and stay tuned for more information about their upcoming debut album “What You Believe In.”

[photo credit]

(Source: themostmusic)

November 2nd
11:15 AM EST

TMM Feature: :papercutz

themostmusic:

by Katie Rosenbrock

Beginning with Portugal native Bruno Miguel, :papercutz is an ambient, electro-pop music project, striving to offer listeners a collection of tunes with a unique sound, differing from some of the more typical artists of the same genre. One listen to any track easily proves the authenticity and originality behind :papercutz’s music, making it hard to argue that there is anything out there quite like it.

However, Bruno insists the project’s written claim to originality is just a part of the bio, which to him is a “necessary evil.” He’d rather listeners skip the written words and head straight to the music.

“For now I’m happy that we’re not a copy of anything out there or at least that I’m aware of,” said Bruno.

Like most who are passionate about making music, Bruno’s interest was sparked at a young age. He studied classical music as a child and began writing his own material as a teenager while playing in a band.

“Early on I got interested in mixing live instruments with electronic music and
I’ve sort of been following that path ever since,” said Bruno.

When it comes to electro-pop music, :papercutz has certainly made a mark and with such a distinctive name most wouldn’t expect that the music project would have trouble standing apart from the crowd.

However, Bruno says he added the colon and the “z” as a small tweak to set :papercutz apart from a  book publisher who also happens to go by the same name. Fortunately, what remains completely and one hundred percent exclusive is the meaning behind it.

“It’s an analogy between the detail we try to impart on our music with the ancient art of paper cutting, cutting forms out of paper, just like cutting out possible music forms,” said Bruno.

:papercutz most recent album is titled Do Outro Lado Do Espelho, which Bruno says roughly translates to “from the other side of the looking glass.”  The album is a kind of follow up to the :papercutz debut album titled Lylac.

“I decided to follow up on this idea that I had been nurturing for a while: having ‘Lylac,’ our debut album, remixed in full but with a specific orientation this time, expanding or heightening all of the ambiences and textures that are tucked underneath the songs,” said Bruno.

In 2008 :papercutz traveled to London to accept an award from The People’s Music Awards, which is one honor among many that the group has received. Yet, Bruno remains humble and focused on one thing, music.

“Awards are cool and can open some doors but at the end of the day I feel
that the most important thing will always be the music you make and the way
listeners react to it,” said Bruno.

More recently, Bruno completed several :papercutz remixes that he was asked to work on for various different projects. One for UK group Codes in the Clouds, one for Erased Tapes, and another for and upcoming Chinese project called Fragile.

“We’re also currently working on a new original (sophomore) album with an expected release in early 2011. That and its promotional tour will be our greatest challenge for the coming year and probably our greatest ever,” said Bruno.

And as a side note, with all discussions of :papercutz aside, Bruno would like to recommend that anyone who finds the opportunity to travel to Portugal, makes a point to visit Casa da Musica.

“Seeing music is in order,” said Bruno.

More from :papercutz on Myspace and Twitter

(Source: themostmusic)

November 1st
11:42 AM EST

Review: ‘Let the Sun In’ by Aaron Shanley

themostmusic:

by Katie Rosenbrock

Aaron Shanley is an acoustic pop-folk artist from Belfast, Ireland, where he has already made a name for himself as a distinguished alternative rocker. Recently, Shanley made a visit to the US and Canada for a North American tour and then returned home to Ireland for a sold out Oct. 25 album release show for his debut album Let the Sun In.

Released through Shanley’s own independent label, Love Gum Records, Let the Sun In showcases a charming collection of acoustic, alternative rock songs. The title track boasts romantic lyrics, catchy chords, and a delightful mix of piano that sets a similar theme for the rest of the album, each track emanating an inviting and calming tone.

Tracks like “Ana Came Along” and “Sarah Rose” feature more of Shanley’s folk sounding characteristics, while songs like “Coming Down” and “Go Easy” showcase Aaron’s beautifully captured acoustic-pop sound. “Cotton Fields” is my favorite track on the album and definitely my first recommendation for anyone new to Shanley’s tunes.

Let The Sun In is definitely a worthwhile listen and I’m looking forward to keeping my eye on Shanley and certainly will not be surprised to see his name and music to continue popping up around the international music scene.

Buy Let the Sun In

Check out Aaron Shanley on Myspace, Facebook, and Twitter

(Source: themostmusic)

October 8th
6:50 PM EST

The Most Music: One on one with Local Natives' Ryan Hahn

themostmusic:

[photo by and published with permission from Josh Darr]

by Katie Rosenbrock

Last time I caught up with Local Natives, I chatted with Taylor just after the band’s sold out show in New York at Governor’s Island. It was also right around the time the band was preparing to set…

(Source: themostmusic)

September 15th
4:20 PM EST

The Most Music: TMM Feature: DJ Squints

themostmusic:

Ever wonder what the bass line from Brand New’s “Sic Transit Gloria…Glory Fades” would sound like up against Jay-Z’s “99 or Problems”? Or what about what The xx, Ludacris, and The Pack would sound like together on one track? There’s no need to wonder because DJ Squints has remixed…

August 30th
6:10 PM EST
themostmusic:

I recently chatted with Local Natives guitarist and vocalist Taylor Rice. I posted a portion of my interview with Taylor on Joonbug.com’s Frequency blog, where I’m a contributing writer. However, I didn’t get to include everything that we talked about and since he had a lot of interesting and well-thought-out answers, I’d like to share the rest of the interview here.  
Read on to find out Taylor’s thoughts on New York City, what types of shows he finds most enjoyable to play, the band’s cover of Talking Heads’, “Warning Sign,” and what he might be doing if he weren’t making music.
Q: What would you say you love most about New York?
TR: We’ve probably spent a couple of week’s worth of days in New York and I had never really been there much before this year. I’ve really come to love hanging out in the city. Typically we’ll stay in Brooklyn but then I’ll spend a lot of time on Manhattan. I love exploring the city but it’s definitely a tougher way of life than Los Angeles, where we’re from and I don’t know if I would live in New York permanently because of that, but I really love coming to visit. 
Q: You recently tweeted that you “miss small sweaty clubs,” what would you say you prefer about performing at smaller venues?
TR: I guess just the intimacy that comes with playing a small club. You’re so close to the audience members right in front of you and its like, your sweat’s getting on them and their sweat’s getting on you. It’s a much tighter, visceral exchange with the audience. I actually also love playing festivals and big stages, but it’s a very different energy you have with the audience. What comes with playing on a larger stage, even something like Governor’s Island, is that when you have that many people all kind of unified and enjoying one thing at the same time, it’s a really incredible, broader sense of connection. 
But it’s different. It’s a little bit more intimate when you’re in the super small clubs and of course that’s what we’re still really more used to. It’s just recently with these festivals that we’ve been playing bigger stages. So it was just kind of nice after playing lots of festivals, we just played a small club show last night in Holland.
Q: What made you decide to cover Warning Sign?
TR: When we were recording the first batch of our album, Gorilla Manor, because it was recorded in two segments, we were recording the first batch and Andy, our bass player, had just been listening to the Talking Heads album, the one that “Warning Sign” is on. We had been throwing around the idea of adding a cover song, just into our live set. It just started as a suggestion and we were messing around with a few songs. We started working on that song and it just came together really well for us. Just the way that we adapted was cool. 
We didn’t change much. We didn’t change the structure. The original baseline is all still in there but we kind of gave it this rhythm and turned these David Byrne yelps into these three part harmonies, which we thought was a really cool effect. So we started playing it live and it sort of became a live staple for us. 
We were just playing all of these shows and we never thought that it would be on the album in a million years. Putting a cover song on our debut album seemed kind of foreign to me but I guess it just grew on us over time and we felt like it would be cool to add on the album so we recorded it last minute, it was pretty much the last song to make it on the album. 
Q: Hypothetically, if you weren’t making music what type of career would you want to pursue?
TR: No matter what and no matter what happens, I believe all of us…we’ve been together for so long and we’ve been through so much together and we’ve been a full band for five years before we made this record so I know that everyone’s really committed to playing music. But personally, if I were to do something else in a professional capacity, I guess my second real interest is in developing technology. My best friend from college, I can imagine myself starting a business with him. He works in developing technology and stuff. So that’s sort of a nerdy answer but that’s probably what I would do. 
[photo]

He was seriously just the coolest guy. Seems to love music more than anything, which I think is totally awesome.

themostmusic:

I recently chatted with Local Natives guitarist and vocalist Taylor Rice. I posted a portion of my interview with Taylor on Joonbug.com’s Frequency blog, where I’m a contributing writer. However, I didn’t get to include everything that we talked about and since he had a lot of interesting and well-thought-out answers, I’d like to share the rest of the interview here.  

Read on to find out Taylor’s thoughts on New York City, what types of shows he finds most enjoyable to play, the band’s cover of Talking Heads’, “Warning Sign,” and what he might be doing if he weren’t making music.

Q: What would you say you love most about New York?

TR: We’ve probably spent a couple of week’s worth of days in New York and I had never really been there much before this year. I’ve really come to love hanging out in the city. Typically we’ll stay in Brooklyn but then I’ll spend a lot of time on Manhattan. I love exploring the city but it’s definitely a tougher way of life than Los Angeles, where we’re from and I don’t know if I would live in New York permanently because of that, but I really love coming to visit. 

Q: You recently tweeted that you “miss small sweaty clubs,” what would you say you prefer about performing at smaller venues?

TR: I guess just the intimacy that comes with playing a small club. You’re so close to the audience members right in front of you and its like, your sweat’s getting on them and their sweat’s getting on you. It’s a much tighter, visceral exchange with the audience. I actually also love playing festivals and big stages, but it’s a very different energy you have with the audience. What comes with playing on a larger stage, even something like Governor’s Island, is that when you have that many people all kind of unified and enjoying one thing at the same time, it’s a really incredible, broader sense of connection. 

But it’s different. It’s a little bit more intimate when you’re in the super small clubs and of course that’s what we’re still really more used to. It’s just recently with these festivals that we’ve been playing bigger stages. So it was just kind of nice after playing lots of festivals, we just played a small club show last night in Holland.

Q: What made you decide to cover Warning Sign?

TR: When we were recording the first batch of our album, Gorilla Manor, because it was recorded in two segments, we were recording the first batch and Andy, our bass player, had just been listening to the Talking Heads album, the one that “Warning Sign” is on. We had been throwing around the idea of adding a cover song, just into our live set. It just started as a suggestion and we were messing around with a few songs. We started working on that song and it just came together really well for us. Just the way that we adapted was cool. 

We didn’t change much. We didn’t change the structure. The original baseline is all still in there but we kind of gave it this rhythm and turned these David Byrne yelps into these three part harmonies, which we thought was a really cool effect. So we started playing it live and it sort of became a live staple for us. 

We were just playing all of these shows and we never thought that it would be on the album in a million years. Putting a cover song on our debut album seemed kind of foreign to me but I guess it just grew on us over time and we felt like it would be cool to add on the album so we recorded it last minute, it was pretty much the last song to make it on the album. 

Q: Hypothetically, if you weren’t making music what type of career would you want to pursue?

TR: No matter what and no matter what happens, I believe all of us…we’ve been together for so long and we’ve been through so much together and we’ve been a full band for five years before we made this record so I know that everyone’s really committed to playing music. But personally, if I were to do something else in a professional capacity, I guess my second real interest is in developing technology. My best friend from college, I can imagine myself starting a business with him. He works in developing technology and stuff. So that’s sort of a nerdy answer but that’s probably what I would do. 

[photo]

He was seriously just the coolest guy. Seems to love music more than anything, which I think is totally awesome.

6:03 PM EST

My interview with Taylor Rice of Local Natives on Joonbug

"From shows played in the mountains of Japan and on the beaches of France, to the waterside in Brooklyn at New York’s Governor’s Island, it seems like Local Natives have already conqured it all since their 2009 release of their debut album Gorilla Manor. The band has no plans of slowing down, as Local Natives guitarist and vocalist Taylor Rice recently shared with me. He also chatted with me about their upcoming show at Webster Hall on October 29th, the band’s recent trip to Europe, an awesome outlet for fans to remix their songs, and a surprise encounter with the legendary David Byrne of The Talking Heads.”

August 19th
4:19 PM EST
themostmusic:

By now, we’ve all listened to the track, read the wacky and amusing comments, (“It’s like all the secrets of the universe were locked away in a Justin Bieber song,” is one of the creator’s favorites) and then heard about it from every blogger and their brother. But what about the man behind the music? And I’m not talking about Justin Bieber; I’m talking about 20-year-old Nick Pittsinger who is the mastermind behind the viral, J.Biebz-U Smile 800% Slower track.
It’s not like he just woke up one day and said, “Hm, today would be a great day to slow down some Justin Bieber tunes!” Nick started playing music at the age of 11, has heavily studied music theory, and has been experimenting with music for quite some time.
“As long as I’ve had ears I’ve been in love with music. I love creating new sounds out of old. This sometimes includes warping parts of songs so much that you can’t even tell what it is.  I took Justin Bieber’s “U Smile,” and put it through a crazy program called Paulstretch and was blown away by how amazing it sounded. It was a bit of curiosity, experimentation, and a tinge of humor,” said Nick.
Maybe Nick has discovered the perfect recipe for an overnight Internet sensation? Never underestimate the power of curiously and humorously experimenting with anything related to Justin Bieber! But what’s even better about this awesome track that everyone loves to listen to but is sick of hearing about, is that it has attracted attention to Nick’s own original recordings.
Under the name, Shamantis, the artist has an impressive collection of original tracks that he proudly shares on his Soundcloud profile. “I mainly take influence from artists such as Shpongle, Aphex Twin, The Flashbulb, Amon Tobin, and Flying Lotus. Besides that, it’s all about the experiences I’ve had and the people I meet. I find aesthetic beauty and inspiration in anything, really,” Nick says of his music.
Even J. Biebz himself is an inspiration to Pittsinger, who’s own recordings, many would argue, are on a level of much higher quality than the commercial teen pop star that everyone loves to hate.“He has actually been a bit of an inspiration to me lately. He always tweets about how he’s just a normal boy living the dream, and that he still dreams big. I very much associate with that,” said Nick.
Now a few steps closer to those big dreams, (apparently there have already been record deals and publishing offers!) Nick remains humble but still eager to share is music and knowledge with the world.
“I have a lot of really cool music to share with the whole world and ideas to share with the industry. I’m mainly looking for a career doing some songwriting or production for a record label. I’m pretty knowledgeable in a spectrum of genres, and feel I could add some interesting ideas to the world of mainstream music. Justin, call me!” Nick said with laughter.
To read more about what Nick had to say, check out TMM’s full Q&A with him. And of course give his music a listen on Soundcloud and Myspace. You can follow him on Twitter here! 

themostmusic:

By now, we’ve all listened to the track, read the wacky and amusing comments, (“It’s like all the secrets of the universe were locked away in a Justin Bieber song,” is one of the creator’s favorites) and then heard about it from every blogger and their brother. But what about the man behind the music? And I’m not talking about Justin Bieber; I’m talking about 20-year-old Nick Pittsinger who is the mastermind behind the viral, J.Biebz-U Smile 800% Slower track.

It’s not like he just woke up one day and said, “Hm, today would be a great day to slow down some Justin Bieber tunes!” Nick started playing music at the age of 11, has heavily studied music theory, and has been experimenting with music for quite some time.

“As long as I’ve had ears I’ve been in love with music. I love creating new sounds out of old. This sometimes includes warping parts of songs so much that you can’t even tell what it is.  I took Justin Bieber’s “U Smile,” and put it through a crazy program called Paulstretch and was blown away by how amazing it sounded. It was a bit of curiosity, experimentation, and a tinge of humor,” said Nick.

Maybe Nick has discovered the perfect recipe for an overnight Internet sensation? Never underestimate the power of curiously and humorously experimenting with anything related to Justin Bieber! But what’s even better about this awesome track that everyone loves to listen to but is sick of hearing about, is that it has attracted attention to Nick’s own original recordings.

Under the name, Shamantis, the artist has an impressive collection of original tracks that he proudly shares on his Soundcloud profile. “I mainly take influence from artists such as Shpongle, Aphex Twin, The Flashbulb, Amon Tobin, and Flying Lotus. Besides that, it’s all about the experiences I’ve had and the people I meet. I find aesthetic beauty and inspiration in anything, really,” Nick says of his music.

Even J. Biebz himself is an inspiration to Pittsinger, who’s own recordings, many would argue, are on a level of much higher quality than the commercial teen pop star that everyone loves to hate.“He has actually been a bit of an inspiration to me lately. He always tweets about how he’s just a normal boy living the dream, and that he still dreams big. I very much associate with that,” said Nick.

Now a few steps closer to those big dreams, (apparently there have already been record deals and publishing offers!) Nick remains humble but still eager to share is music and knowledge with the world.

“I have a lot of really cool music to share with the whole world and ideas to share with the industry. I’m mainly looking for a career doing some songwriting or production for a record label. I’m pretty knowledgeable in a spectrum of genres, and feel I could add some interesting ideas to the world of mainstream music. Justin, call me!” Nick said with laughter.

To read more about what Nick had to say, check out TMM’s full Q&A with him. And of course give his music a listen on Soundcloud and Myspace. You can follow him on Twitter here

August 17th
12:47 PM EST

Something Corporate Goes Back to Work

I promised you a more articulated and detailed SoCo review and it’s now up on Joonbug! Click to read! 

August 9th
12:39 PM EST

My Local Natives review on Joonbug!

"Reigning from Los Angeles, California, Local Natives are certainly not local or native to the Big Apple, but the crowd at Governor’s Island Saturday night, welcomed the band as one of the cities own.”

12:37 PM EST

My interview with Young Man on Joonbug.com

"Young Man (Colin Caulfield) broke onto the music scene when he began uploading covers of his favorite songs to YouTube. Several notable covers later and a rather flattering acknowledgement from Dearhunter front man, Bradford Cox, Young Man is set to release his debut EP titled “Boy” on August 31. I recently caught up with Colin to talk about his distinguished YouTube presence, a sold out show with Local Natives at Governor’s Island, and his debut release”